The dowdy little houses with sandpaper flapping at their shabby seams hardly elicit a flick of emotion in me. I who was once of the country, who knew the shabbiness of rural poverty, the claustrophobia of the dark gathering woods, the small squalid towns with their provincial ways frowning upon any divergence from the most unremarkable mediocrity. The eyes of the locals regarding any newcomer with a dull and unimpassioned hostility. I feel my own transition from this world of fields and streams, of ponds full of silvery fish, ragged marshes and the rustle of leaves in the wind - to an anxious urbanite - a biting, jagged edge barely concealed beneath a bright surface. Impatient, overly hungry with a trace of bitterness revealed in the tight gathers at the corners of my lips. The swell of people in the cities - of every imaginable color, shape, scent and class - each inscrutable face sealing a chamber of alluring secrets. Wild creatures in their natural habitat of concrete and steel, flashing across the edifices of buildings like shining birds fluttering through the trees. The soft dark eyes and damp skin of exotic men beckons on swarming streets and crowded subway cars. Evenings like these - the heavy limpid air, vaguely unclean, presses upon bare shoulders and fawns over my body like a warm, overly close breath. It is here that I make my home now, here that my soul feels itself liberated, that the infinite possibilities of a strange and exciting future unravel in my head. But its here too that my solitary, scant existence among this vociferous bounty weighs upon me, a close companion though out hot, humid summer nights when I toss on my cheap sheets cursing the futility of my existence. There can be no refuge in this world that is not merely a sweet tang of temporary relief amid the trudging onward of our lives.
Links to My Favorite Documentaries
Wednesday, October 3, 2012
A Terrible Shiny Thing
Labels:
city,
country,
existential crisis,
lame men,
love,
New York,
NYC,
the start of it all
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